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    IAF INTERFICTIONS ONLINE INDIEGOGO CAMPAIGN ends above target goal

    Thanks to 277 generous backers for our Interfictions Indiegogo Campaign, we raised $10,318 by the time our campaign ended at midnight, July 14th, 2014.  When we launched on June 3rd, we were staggered to find donations doubling almost daily, until after about 3 weeks we had reached our original target goal of $8,500, and were able to move on to our Stretch Goal of $10,000.

    Which means we not only get to publish Interfictions Online for another year, but we can pay our contributors at higher rates now, rates more in line with the effort and talent that innovation requires. Thank you, each and every one of the 277 generous donors who stepped forward to say that interstitial art is valued and valuable. The number of people is as important as the number of dollars raised. We are awed by your generosity.
    Now [...]

    INTERFICTIONS issue #3 is up online!

    The editors of Interfictions Online are happy to announce the birth of the journal’s latest issue, on May 22, 2014!

    The Spring 2014 issue’s non-fiction offerings include Mark Craddock’s poignant collage in Aerial Acrobatics and Gender Reassignment Surgery – A How-To Guide, while Inda Lauryn’s Parallels and Transitions splices analysis of contemporary female vocalists into a graduate school memoir. Isabel Yap’s Life Is Not a Shoujo Manga speaks for itself. And in an interview with Jeff VanderMeer and Jeremy Zerfoss, the two creators discuss their illustrated guide to writing, Wonderbook.

    The fiction offerings remix tropes from ghosts to automata, with new work by Richard Butner, Su-Yee Lin, Kat Howard, Tade Thompson and S. Craig Renfroe Jr.

    Several of the poems in this issue reimagine older narratives: Sridala Swami’s AI Winter draws on the Mahabharata, Sonya Taaffe’s Double Business on Hamlet, and Mary Alexandra Agner’s Hypothesis Between Your Ribs on the brief life of Charles Darwin’s daughter.

    [...]

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  • Michael Chabon: IAF Mole?
    by Ellen | August 26th, 2008 |

    See, for instance, his August 21, 2008 interview in the LATimes; the interviewer says he spoke to Chabon about “a process by which sophisticated writers are kept in the genre ghetto and readers are scared away from novels and stories they might otherwise love” (didn’t we just put that in our mission statement?) and Chabon says things like:
    [T]here is a whole list of borderland writers – John Crowley, Jorge Luis Borges, Steven Millhauser, Thomas Pynchon – writers who can dwell between worlds.

    and

    Tolkien’s “Cauldron of Story” is one of my central ways of thinking about what I do…. the “Cauldon of Story” includes not only recognizably literary elements, and root elements like folk tale and fairy tale and Bible stories which have always been acknowledged as part of the writers tool kit, but also this other material [e.g. Norse mythology, Jewish fables, '80s American comics, Sherlock Holmes], which in turn is just further reflections and emanations of these fundamental kinds of stories.

    So what does it all mean? Can the IAF just pack it up and go home, because someone with a lot more clout is doing our work for us? Or can we use our own resources to help Chabon fight the good fight?

    finish line

    One Response to “Michael Chabon: IAF Mole?”

    1. The Nerd Cultural Insurgency? ¦ The Interstitial Arts Foundation Says:

      [...] We’ve alluded in the past to Michael Chabon’s possibly being an IAF Mole, but this report from Wondercon 2009 drives it home: [Chabon] was born in 1963, and grew up during a Lee/Kirby hegemony, immersed in genre fiction of all kinds – Lovecraft, Conan Doyle, Moorcock, Leiber (if I judge Gentlemen of the Road’s influences correctly). In the days pre-internet, even pre-VHS, fans of pulpy genre work had a lonelier watch to keep, turning out for only the rare face-to-face moments at screenings and conventions. [...]

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