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    The Interstitial Arts Foundation is a not-for-profit organization dedicated to the study, support, and promotion of interstitial art: literature, music, visual and performance art found in between categories and genres – art that crosses borders. Find out more!

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    IAF INTERFICTIONS ONLINE INDIEGOGO CAMPAIGN ends above target goal

    Thanks to 277 generous backers for our Interfictions Indiegogo Campaign, we raised $10,318 by the time our campaign ended at midnight, July 14th, 2014.  When we launched on June 3rd, we were staggered to find donations doubling almost daily, until after about 3 weeks we had reached our original target goal of $8,500, and were able to move on to our Stretch Goal of $10,000.

    Which means we not only get to publish Interfictions Online for another year, but we can pay our contributors at higher rates now, rates more in line with the effort and talent that innovation requires. Thank you, each and every one of the 277 generous donors who stepped forward to say that interstitial art is valued and valuable. The number of people is as important as the number of dollars raised. We are awed by your generosity.
    Now [...]

    INTERFICTIONS issue #3 is up online!

    The editors of Interfictions Online are happy to announce the birth of the journal’s latest issue, on May 22, 2014!

    The Spring 2014 issue’s non-fiction offerings include Mark Craddock’s poignant collage in Aerial Acrobatics and Gender Reassignment Surgery – A How-To Guide, while Inda Lauryn’s Parallels and Transitions splices analysis of contemporary female vocalists into a graduate school memoir. Isabel Yap’s Life Is Not a Shoujo Manga speaks for itself. And in an interview with Jeff VanderMeer and Jeremy Zerfoss, the two creators discuss their illustrated guide to writing, Wonderbook.

    The fiction offerings remix tropes from ghosts to automata, with new work by Richard Butner, Su-Yee Lin, Kat Howard, Tade Thompson and S. Craig Renfroe Jr.

    Several of the poems in this issue reimagine older narratives: Sridala Swami’s AI Winter draws on the Mahabharata, Sonya Taaffe’s Double Business on Hamlet, and Mary Alexandra Agner’s Hypothesis Between Your Ribs on the brief life of Charles Darwin’s daughter.

    [...]

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    Sunday, Nov. 25

    Interstitial Indy

    7-11PM
    Indiana Writers’ Center
    812 E 67th Street
    Indianapolis, IN
    (off College Ave. just behind The Indianapolis Art Center in the Cultural Complex Building)

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  • Interstitial Arts in the media: Gay City News & SF Signal (but not together!)
    by Ellen | February 3rd, 2011 |

    From Kelly Jean Cogswell’s article (12/22/10) on IAF founders Ellen Kushner & Delia Sherman for NYC’s  bi-weekly Gay City News :

    [W]hile fantasy writers may respect the hard to categorize “Other” in their literature, publishers are not so crazy about books that blur the genre boundaries. If you do fantasy fiction, stick to the conventions. Ditto for other genres like historical novels. At the same time, too many mainstream readers won’t approach books in the fantasy section at all because, as Kushner explained, they have “fantasy cooties.” But label the same books magical realism and stock them elsewhere, they’ll gobble them up. Putting stuff into boxes keeps readers — and books — from crossing over.

    Delia, Ellen, and some of their friends have founded the Interstitial Arts Foundation to promote art that crosses genre borders and help writers present themselves to the marketers. The point is not just to sell books, but also to publish good writers who have read widely and bring everything that they have experienced to what they’re writing. “That’s how literature grows. That’s how art grows. By bringing things in, and making something new of it.”

    *    *    *

    From John H. Stevens‘ thoughtful post Interstitial Fiction: An Admiring Skeptic’s Meditation (2/3/11) on the blog SF Signal:

    Whether a crushingly realist text, or one surreal and deconstructive, we enjoy and wonder at those strings of words by figuring out where the boundaries are and what spaces exist between them. Interstitiality is present in even the most hackneyed, genre-bound text, if often subsumed or lost in the looming shadows of larger tropes.

    [Interstitial art] is . . . difficult to isolate and codify because it is simultaneously a new idea and something that artists have done since someone made up a term for “art.”

    finish line

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