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    IAF INTERFICTIONS ONLINE INDIEGOGO CAMPAIGN ends above target goal

    Thanks to 277 generous backers for our Interfictions Indiegogo Campaign, we raised $10,318 by the time our campaign ended at midnight, July 14th, 2014.  When we launched on June 3rd, we were staggered to find donations doubling almost daily, until after about 3 weeks we had reached our original target goal of $8,500, and were able to move on to our Stretch Goal of $10,000.

    Which means we not only get to publish Interfictions Online for another year, but we can pay our contributors at higher rates now, rates more in line with the effort and talent that innovation requires. Thank you, each and every one of the 277 generous donors who stepped forward to say that interstitial art is valued and valuable. The number of people is as important as the number of dollars raised. We are awed by your generosity.
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    INTERFICTIONS issue #3 is up online!

    The editors of Interfictions Online are happy to announce the birth of the journal’s latest issue, on May 22, 2014!

    The Spring 2014 issue’s non-fiction offerings include Mark Craddock’s poignant collage in Aerial Acrobatics and Gender Reassignment Surgery – A How-To Guide, while Inda Lauryn’s Parallels and Transitions splices analysis of contemporary female vocalists into a graduate school memoir. Isabel Yap’s Life Is Not a Shoujo Manga speaks for itself. And in an interview with Jeff VanderMeer and Jeremy Zerfoss, the two creators discuss their illustrated guide to writing, Wonderbook.

    The fiction offerings remix tropes from ghosts to automata, with new work by Richard Butner, Su-Yee Lin, Kat Howard, Tade Thompson and S. Craig Renfroe Jr.

    Several of the poems in this issue reimagine older narratives: Sridala Swami’s AI Winter draws on the Mahabharata, Sonya Taaffe’s Double Business on Hamlet, and Mary Alexandra Agner’s Hypothesis Between Your Ribs on the brief life of Charles Darwin’s daughter.

    [...]

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  • Now in Interfictions 2 Interviews: Jeffrey Ford
    by Geoffrey | November 17th, 2009 |
    Jeffrey Ford
    Illustration by Gerard Wickham

    Next up in our series of interviews with Interfictions 2 contributors is Christian Desrosiers’ Q&A with Jeffrey Ford. Ford’s short story “The War Between Heaven and Hell Wallpaper” inspired a number of the pieces currently up in the Interfictions 2 Auction, including “The Animometer” by Carisa Swenson, which I wrote about yesterday.

    Here’s an excerpt from Desrosiers’ interview:

    [Did your story] arise organically as a story or was it some sort of visual (or otherwise sensory) experience that you molded into words?

    I believe that the story came from a series of events that took place over a period of a week – a dream, a conversation, a daydream, a visit to a hotel and a memory. It struck me finally at the end of the week that all of these things were related in that they all had a religious basis to them. I’m not involved with organized religion in any way in my life now, but I was brought up Catholic and the whole experience impressed me with its weirdness when I was a kid. I saw them as a kind of story, but one that was not linear. A story where the underlying theme is the main character. After noticing the connections to these events and thoughts, I realized that this phenomenon happens fairly regularly to me, but usually, or until this instance, I’d not had the wherewithal to follow the connections, to make the analogies, and/or to follow the thread of the idea.

    Ford’s stories and novels have been nominated multiple times for the World Fantasy Award, the Hugo Award, the Nebula Award, the Theodore Sturgeon Award, and the Edgar Allan Poe Award. He has been the recipient of three World Fantasy Awards, for his second novel The Physiognomy, the short story collection The Fantasy Writer’s Assistant and Other Stories, and his short story “Creation”. His most recent novel is The Shadow Year.

    The full interview can be found here.

    finish line

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