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    The Interstitial Arts Foundation is a not-for-profit organization dedicated to the study, support, and promotion of interstitial art: literature, music, visual and performance art found in between categories and genres – art that crosses borders. Find out more!

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    Thanks to 277 generous backers for our Interfictions Indiegogo Campaign, we raised $10,318 by the time our campaign ended at midnight, July 14th, 2014.  When we launched on June 3rd, we were staggered to find donations doubling almost daily, until after about 3 weeks we had reached our original target goal of $8,500, and were able to move on to our Stretch Goal of $10,000.

    Which means we not only get to publish Interfictions Online for another year, but we can pay our contributors at higher rates now, rates more in line with the effort and talent that innovation requires. Thank you, each and every one of the 277 generous donors who stepped forward to say that interstitial art is valued and valuable. The number of people is as important as the number of dollars raised. We are awed by your generosity.
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    INTERFICTIONS issue #3 is up online!

    The editors of Interfictions Online are happy to announce the birth of the journal’s latest issue, on May 22, 2014!

    The Spring 2014 issue’s non-fiction offerings include Mark Craddock’s poignant collage in Aerial Acrobatics and Gender Reassignment Surgery – A How-To Guide, while Inda Lauryn’s Parallels and Transitions splices analysis of contemporary female vocalists into a graduate school memoir. Isabel Yap’s Life Is Not a Shoujo Manga speaks for itself. And in an interview with Jeff VanderMeer and Jeremy Zerfoss, the two creators discuss their illustrated guide to writing, Wonderbook.

    The fiction offerings remix tropes from ghosts to automata, with new work by Richard Butner, Su-Yee Lin, Kat Howard, Tade Thompson and S. Craig Renfroe Jr.

    Several of the poems in this issue reimagine older narratives: Sridala Swami’s AI Winter draws on the Mahabharata, Sonya Taaffe’s Double Business on Hamlet, and Mary Alexandra Agner’s Hypothesis Between Your Ribs on the brief life of Charles Darwin’s daughter.


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  • CFP: Transitions and Dissolving Boundaries in the Fantastic.
    by Geoffrey | December 11th, 2011 |

    Courtesy of the IAFA-L mailing list, a call for papers that should be of interest to the interstitially-minded. Hurry, though – the deadline for the initial proposal is January 7th, 2012:


    Third Annual Conference of the Gesellschaft für Fantastikforschung (GFF)
    at the University of Zurich from 13th to 16th September 2012

    Transitions and the dissolving of boundaries are crucial to the fantastic in all media manifestations. Fantastic texts include, among other things, crossings into other worlds, time travel, metamorphoses, hybrid creatures as well as a variety of transitions and transgressions. Hybrid genres and genre reconfigurations as well as various forms of intertextuality featured in fantastic literature(s) are based on transitions between texts and the dissolving of boundaries between topics and motifs of diverse origin. In this sense, the fantastic provides the potential to disintegrate the artificial line of distinction between high and popular culture or between supposedly good and bad “taste”, which can arguably be seen as a form of provocation. The fantastic raises a significant number of questions about cultural and social developments and challenges existing boundaries. By creating hybrid zones of autonomy, the fantastic provides alternatives to conventional understandings of, for example, world, knowledge or identity. Fantastic elements serve to unveil social discourses and to articulate complex physical and psychological processes as well as abstract figures of thoughts.

    Transitions pervade the fantastic and manifest in numerous forms, such as in the shape of intermedia adaptations (from texts to film, comics, games, radio plays, novels), transpositions into new media (as, for instance, done in fan fiction or the case of multimedia franchises), as well as in various forms of crossover as exemplified in the increasing trend of generation-spanning all-age literature. With regard to transitions and the crossing of boundaries, the focus of this conference will lie on objects, norms, knowledge, ascribed meanings and potential spectrums of interpretation associated with the fantastic. The aim is to explore representations of worlds and subjects, reality and fiction, in order to contribute to a further assessment of the cultural relevance of the fantastic – in its contemporary, historical, social and medial dimensions.

    We are open to scientific papers in German or English on the entire scope of the fantastic: analyses of specific texts, on the interconnection of text, image and sound in various media or different media formats, literary or visual genres, as well as theoretical contributions to the fantastic and its cultural significance.

    All interested in contributing to this conference are requested to send a proposal of maximum 350 words including a brief description of the project, contact data and relevant biographical information to the organisational team by 7th January 2012, preferably via e-mail. We would particularly welcome contributions relating to the overall theme of the conference. However, there will also be an open track in which substantiated yet innovative papers on other topics regarding the fantastic may be presented.

    Prof. Dr. Ingrid Tomkowiak
    Institut für Populäre Kulturen
    Universität Zürich
    Affolternstrasse 56
    8050 Zürich, Schweiz
    Phone: +41 44 634 24 36

    finish line

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