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    The Interstitial Arts Foundation is a not-for-profit organization dedicated to the study, support, and promotion of interstitial art: literature, music, visual and performance art found in between categories and genres – art that crosses borders. Find out more!

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    IAF INTERFICTIONS ONLINE INDIEGOGO CAMPAIGN ends above target goal

    Thanks to 277 generous backers for our Interfictions Indiegogo Campaign, we raised $10,318 by the time our campaign ended at midnight, July 14th, 2014.  When we launched on June 3rd, we were staggered to find donations doubling almost daily, until after about 3 weeks we had reached our original target goal of $8,500, and were able to move on to our Stretch Goal of $10,000.

    Which means we not only get to publish Interfictions Online for another year, but we can pay our contributors at higher rates now, rates more in line with the effort and talent that innovation requires. Thank you, each and every one of the 277 generous donors who stepped forward to say that interstitial art is valued and valuable. The number of people is as important as the number of dollars raised. We are awed by your generosity.
    Now [...]

    INTERFICTIONS issue #3 is up online!

    The editors of Interfictions Online are happy to announce the birth of the journal’s latest issue, on May 22, 2014!

    The Spring 2014 issue’s non-fiction offerings include Mark Craddock’s poignant collage in Aerial Acrobatics and Gender Reassignment Surgery – A How-To Guide, while Inda Lauryn’s Parallels and Transitions splices analysis of contemporary female vocalists into a graduate school memoir. Isabel Yap’s Life Is Not a Shoujo Manga speaks for itself. And in an interview with Jeff VanderMeer and Jeremy Zerfoss, the two creators discuss their illustrated guide to writing, Wonderbook.

    The fiction offerings remix tropes from ghosts to automata, with new work by Richard Butner, Su-Yee Lin, Kat Howard, Tade Thompson and S. Craig Renfroe Jr.

    Several of the poems in this issue reimagine older narratives: Sridala Swami’s AI Winter draws on the Mahabharata, Sonya Taaffe’s Double Business on Hamlet, and Mary Alexandra Agner’s Hypothesis Between Your Ribs on the brief life of Charles Darwin’s daughter.

    [...]

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  • “Four Very True Tales” by Kelly Barnhill: 3rd Interfictions Annex Story up online!
    by Erin | September 29th, 2009 |

    The “IAF Annex” features a new original short story each week, leading up to the November publication of our genre-spanning anthology Interfictions 2. This week we’re pleased to bring you “Four Very True Tales” by Kelly Barnhill!

    Kelly writes:

    A few years ago, I had the opportunity to participate in two very different mentorship programs — one in Speculative Fiction and one in Narrative Nonfiction and Memoir. During that year, I thought very hard about the relationship between memory and imagination, or more specifically, when a person spends most of her life focusing on her own imagination — weaving the possible, the actual and the impossible so tightly that she doesn’t even notice that it’s occurring — what would that memoir look like? What I discovered is that in unpacking memory, the real and the surreal are as close as a breath in and a breath out. So, I started a series of experiments — fictional nonfictions, imagined memories, pieces that wavered between dream and waking while still being utterly true — mostly focused on family life, and on the strange shapes that love can take.

    finish line

    2 Responses to ““Four Very True Tales” by Kelly Barnhill: 3rd Interfictions Annex Story up online!”

    1. coloncleanse Says:

      I’ve tried blind writing to achieve the same result. I have some software which gives me a black screen and I start with 3 different words and weave them into my narative over a 5 minute period.
      No stopping or editing… just letting thoughts flow. Get some great inspiration this way.
      Peter

    2. Terri Windling Says:

      Gorgeous. I absolutely love these lines:

      “You loved a mountain before you ever did love me. I say this without petulance or accusation. I say this because we are animal and we love what we love.”

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