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    The Interstitial Arts Foundation is a not-for-profit organization dedicated to the study, support, and promotion of interstitial art: literature, music, visual and performance art found in between categories and genres – art that crosses borders. Find out more!

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    Thanks to 277 generous backers for our Interfictions Indiegogo Campaign, we raised $10,318 by the time our campaign ended at midnight, July 14th, 2014.  When we launched on June 3rd, we were staggered to find donations doubling almost daily, until after about 3 weeks we had reached our original target goal of $8,500, and were able to move on to our Stretch Goal of $10,000.

    Which means we not only get to publish Interfictions Online for another year, but we can pay our contributors at higher rates now, rates more in line with the effort and talent that innovation requires. Thank you, each and every one of the 277 generous donors who stepped forward to say that interstitial art is valued and valuable. The number of people is as important as the number of dollars raised. We are awed by your generosity.
    Now [...]

    INTERFICTIONS issue #3 is up online!

    The editors of Interfictions Online are happy to announce the birth of the journal’s latest issue, on May 22, 2014!

    The Spring 2014 issue’s non-fiction offerings include Mark Craddock’s poignant collage in Aerial Acrobatics and Gender Reassignment Surgery – A How-To Guide, while Inda Lauryn’s Parallels and Transitions splices analysis of contemporary female vocalists into a graduate school memoir. Isabel Yap’s Life Is Not a Shoujo Manga speaks for itself. And in an interview with Jeff VanderMeer and Jeremy Zerfoss, the two creators discuss their illustrated guide to writing, Wonderbook.

    The fiction offerings remix tropes from ghosts to automata, with new work by Richard Butner, Su-Yee Lin, Kat Howard, Tade Thompson and S. Craig Renfroe Jr.

    Several of the poems in this issue reimagine older narratives: Sridala Swami’s AI Winter draws on the Mahabharata, Sonya Taaffe’s Double Business on Hamlet, and Mary Alexandra Agner’s Hypothesis Between Your Ribs on the brief life of Charles Darwin’s daughter.


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    Indianapolis, IN
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  • Interfictions 2 Auction Project Manager Wanted
    by Erin | June 22nd, 2009 |

    The Interfictions 2 Auction, sponsored by the Interstitial Arts Foundation, is well underway, with over twenty artists already committed to creating original pieces of art based on the Interfictions anthology series of original interstitial writing. We have a great team of volunteers working on every aspect of the auction, from sending out stories to maintaining databases to photographing incoming work.

    We are seeking a Project Manager to coordinate & oversee the Auction committee.

    The IF2 Auction Project Manager is a non-paying volunteer position that should only require a few hours per week from now through December 2009. It can be performed from anywhere as long as you have reliable Internet access. In addition, the Project Manager will have a volunteer assistant to help on an as needed basis.

    The position responsibilities for the Project Manager include:

    • Maintaining communication with auction volunteers and the IAF Board
    • Coordinating efforts between auction volunteers
    • Keeping people on task
    • Setting goals for the project
    • Being an organizational god or goddess for which you will be worshipped

    The Interstitial Arts Foundation is a non-profit organization. The role of IF2 Auction Project Manager is a critical position for the Auction as well as the IAF itself.

    Please send an email with some information about yourself to: iafauctions at gmail dotCOM and cc. us at: info at interstitialarts dotORG

    Related Links:

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    One Response to “Interfictions 2 Auction Project Manager Wanted”

    1. Auction Seeks Web Assistants ¦ The Interstitial Arts Foundation Says:

      [...]  * * * We are also seeking an Auction Project Manager to oversee all aspects of the work from now through December, and would be happy to hear from you at the edresses above. * * * [...]

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