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    The Interstitial Arts Foundation is a not-for-profit organization dedicated to the study, support, and promotion of interstitial art: literature, music, visual and performance art found in between categories and genres – art that crosses borders. Find out more!

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    Thanks to 277 generous backers for our Interfictions Indiegogo Campaign, we raised $10,318 by the time our campaign ended at midnight, July 14th, 2014.  When we launched on June 3rd, we were staggered to find donations doubling almost daily, until after about 3 weeks we had reached our original target goal of $8,500, and were able to move on to our Stretch Goal of $10,000.

    Which means we not only get to publish Interfictions Online for another year, but we can pay our contributors at higher rates now, rates more in line with the effort and talent that innovation requires. Thank you, each and every one of the 277 generous donors who stepped forward to say that interstitial art is valued and valuable. The number of people is as important as the number of dollars raised. We are awed by your generosity.
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    INTERFICTIONS issue #3 is up online!

    The editors of Interfictions Online are happy to announce the birth of the journal’s latest issue, on May 22, 2014!

    The Spring 2014 issue’s non-fiction offerings include Mark Craddock’s poignant collage in Aerial Acrobatics and Gender Reassignment Surgery – A How-To Guide, while Inda Lauryn’s Parallels and Transitions splices analysis of contemporary female vocalists into a graduate school memoir. Isabel Yap’s Life Is Not a Shoujo Manga speaks for itself. And in an interview with Jeff VanderMeer and Jeremy Zerfoss, the two creators discuss their illustrated guide to writing, Wonderbook.

    The fiction offerings remix tropes from ghosts to automata, with new work by Richard Butner, Su-Yee Lin, Kat Howard, Tade Thompson and S. Craig Renfroe Jr.

    Several of the poems in this issue reimagine older narratives: Sridala Swami’s AI Winter draws on the Mahabharata, Sonya Taaffe’s Double Business on Hamlet, and Mary Alexandra Agner’s Hypothesis Between Your Ribs on the brief life of Charles Darwin’s daughter.


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  • Now in Interfictions 2 Interviews: Alaya Dawn Johnson
    by Geoffrey | November 24th, 2009 |
    Alaya Dawn Johnson

    The third in our series of interviews with Interfictions 2 contributors is Christian Desrosiers’ Q&A with Alaya Dawn Johnson. Johnson is the author of “The Score”, which inspired “Harmonium Mundi” by M. Panitch, up for bidding at the Interfictions Auction through 11/29!

    Here’s an excerpt from Desrosiers’ interview:

    Do you see similarities between “storytelling” in the to-be-believed mode of news and conspiracy theories and storytelling as art? Is engagement with a work of fiction significantly similar to engagement with the larger world through news media?

    I absolutely believe that people who report news (particularly news as processed and massaged and sometimes outright manufactured as that of traditional US media outlets) are engaging in a type of storytelling. And sometimes that storytelling, as in all storytelling, rises to the level of artistry. The red scares of the middle of the 20th century had a poetry to them that I think is undeniable. The story of America, alone against the Muslim horde of those who “hate us for our freedoms,” clearly had a great deal of resonance around 2002 for many people. Engagement with a work of fiction is always going to be a step removed from engagement with true propaganda (though of course they’re not always so widely separated). A reader of fiction is always, on some level, aware that what she is reading is not true. Someone listening to a presidential state of the union speech, on the other hand, might find it impossible to grasp that what he is hearing might simply be a story. Fiction might be dangerous, but presidential charisma can be deadly.

    According to her official bio, “Alaya (rhymes with ‘papaya’) lives, writes, cooks and (perhaps most importantly) eats in New York City. Her literary loves are all forms of speculative fiction, historical fiction, and the occasional highbrow novel. Her culinary loves are all kinds of ethnic food, particularly South Indian, which she feels must be close to ambrosia. She graduated from Columbia University in 2004 with a BA in East Asian Languages and Cultures, and has lived and traveled extensively in Japan.” More about Alaya Dawn Johnson can be found at

    The full interview can be found here.

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