Will Ludwigsen’s story “Remembrance Is Something Like A House,” originally published in the IAF’s 2009 anthology Interfictions 2, is now available as a free podcast from PodCastle, read by Wilson Fowlie.
And it has the distinction of being chosen as the 100th episode for Podcastle!  As Rachel Swirsky explains in her introduction, “This smart, surreal piece […]

Interfictions Zero, to be edited by Delia Sherman and Helen Pilinovsky, will be published online by the Interstitial Arts Foundations in late August of 2010.
Submission Guidelines for 
Interfictions Zero: The Virtual Anthology of Interstitial Writing and Original Essays
What Is Interstitial Writing? Interstitial writing breaks rules, ignores boundaries, cross-pollinates the fields of literature, and helps them […]

Although I’d argue that interstitiality is much, much more than “literary fantasy”, the official 2009 Nebula award ballot is full of such interstitial friends and fellow travelers as China Mieville (The City and The City), Jeff VanderMeer (Finch), Interfictions 2 co-editor Christopher Barzak (The Love We Share Without Knowing), James Morrow (Shambling Towards Hiroshima), Scott […]

We like to be ahead of the artististic curve — and now we’re on the cutting edge of technology, as well!  IAF Working Group member & Interfictions author & blogger K. Tempest Bradford works for Laptop Magazine, testing out what’s new, and blogging about it.  Last week, in an online video review, she demonstrated the […]

As a part of our Interstitial March project, we’re doing profiles of a number of people behind the scenes here at the IAF. I volunteered to go first, and next up is IAF Executive Board member and co-editor of both Interfictions and Interfictions 2, the lovely Delia Sherman!
1. Who are you, and what do […]

Fantasy Magazine posted a new review of Interfictions 2 by Cynthia Ward, which compliments the overall quality of the stories and highlights a few specific pieces. It’s a good review. However, it labels Interfictions 2 as being “an anthology of literary fantasy” that may disappoint people who are “looking for experimental/avant garde fiction” or “stories […]